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Educator & Author
Katrina Haddin is an educator and author based in the vibrant landscape of Hawaiʻi, where storytelling and teaching intertwine. With over a decade of classroom experience, Katrina currently serves as a teacher—an influence that deeply shapes her approach to language, narrative, and character development. Her educational journey includes five years in early childhood education and a formative period teaching English as a Second Language in Russia, experiences that broadened her perspective on communication, culture, and human connection.
Although she has spent years guiding students through the mechanics of language and the power of storytelling, Katrina’s own path as a novelist began unexpectedly. What started as a classroom modeling exercise evolved into a deep passion for world-building and speculative fiction. That creative spark quickly grew into a body of work spanning dystopian, dystopian-sci-fi, and fantasy romance.
Katrina is the author of the Cryptonia series—Cryptonia: First Born Ashen Daughters and Cryptonia: The Ashen Liberation—a dark, dystopian world where control, inheritance, and resistance collide. She is also the author of The Amulet’s Curse, a standalone fantasy romance that explores magic, destiny, and the cost of power. Across her work, Katrina weaves emotionally driven narratives that examine systems of control, identity, loyalty, and hope.
When she isn’t teaching or writing, Katrina continues to expand her fictional worlds, driven by the same curiosity and creativity she encourages in her students—believing that stories are not only meant to be read, but felt.
Academic Background & Creative Journey
Katrina’s academic focus has always been rooted in the transformative power of communication. Her time teaching abroad in Russia provided her with a deep appreciation for how language connects us, a theme that resonates through the "whispered voices" and "secret truths" found in her writing. Conversely, her years in preschool education taught her the importance of foundational wonder and resilience—elements clearly visible in her characters' struggles for identity.
Her writing is often a bridge between the clinical and the magical. In Cryptonia, she explores the grit of survival and the dehumanization of "property" in a world buried in ash, a stark contrast to her daily life in the lush islands of Hawaii. In The Amulet’s Curse, she delves into the "wrinkles in time" and ancestral legacies, drawing on her belief that understanding our history is the key to shaping our future. Whether she is navigating the "Proactive Wall" of a fallen civilization or the "candlelit corridors" of a cursed castle, Katrina’s academic background in language instruction ensures that every word serves the story’s heart.
Degrees & Affiliations
Katrina holds a degree in Secondary Education, with specialized certifications in Early Childhood and ESL instruction. She is a member of the local Hawaii teaching community and is an active advocate for literacy and creative expression in schools. Following the release of her debut novels, she is a rising voice in the indie author community, currently balancing her full-time teaching role with the development of her fourth upcoming manuscript.

The Amulet's Curse
By Katrina Haddin
Cryptonia: First Born Ashen Daughters By Katrina Haddin

Available NOW! On Amazon.com

Fiction based on real events set to be released summer 2027



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BOOKS


Fiction
Katrina’s fiction collections offer a blend of imagination and reality, engaging readers with relatable characters and captivating plots.
CRYPTONIA: FIRST BORN ASHEN DAUGHTERS: Prologue “How long has she been out?” Rendered a voice that sounded like it was suffocating in water, a voice that had left an inkling of dread in her chest. Likewise, other voices, some soft, some unpliable, faded in and out and in and out, for lengths of time that made it feel like time had frozen still. All around her, voices danced, voices that all shared the same liquid overtone as his voice, but the others were different; they made her feel shielded from the acquaintance she had with the other, jarring and dissonant one. Suddenly, terror struck. Her head felt bogged down, like it was stuck in a quagmire, a sinking hole that pulled her deeper and deeper into the abyss. She felt the all too familiar arms grab and pull her back down into that hellish place. Arms that pulled and pulled, unrelenting. In and out of consciousness, she felt her soul being sucked back. Back to that place, where she so often retreated to when she needed to hide or be invisible or to escape. The place where her inner demons and conscience battled and warred against one another. A place of anguish and descent. A place of counterfeit security, a forgery that was as unreal as fool's gold. “It didn’t work,” she thought to herself, fighting to diminish the fog that clouded her brain. Her head felt like it was floating in and out of consciousness, as people all around her spoke aloud from one to the other and back again, like a boomerang. “Sir, please calm down. Your…” she paused, with an edge of uneasiness in her tone. “...property,” she strained to say the word. “Say it louder!” he growled. “Um…your… eh, property has suffered from-” her voice faded out again. “I don’t care…” his voice retorted in and out, in and out. “She really needs to get more rest and heal from her injuries. If you could calm down just a little bit, sir… You will be able to take her back home in about a week,” countered her voice. Her voice sounded like it was trying to flee something dangerous, like it was running from something menacing and threatening and vile. Harder now, “A week!” Unassured breaths, desperate and unhinged breaths radiated from the person to whom the statement was directed. Then his voice piqued up a notch, “You brainless woman! Can’t you see this is a ruse! Can’t you do your job? I’m so sick of your dull-wittedness and dense lack of intellect. All of your kind!” he said, belittling her. “I don’t know how you can stand there and tell me this wasn’t a blatant act of disobedience,” he continued. “I will take her back to where she belongs.” He lingered on that last word. Even though I was falling into the miry pit, fading in and out of consciousness, I felt demoralized and dispirited. “How will I ever escape?” I thought as he continued arguing with the medic. “Mr. Stevenson, your surrogate,” she put her hand over her mouth, realizing her error. “Your property, I mean, needs a few more days here before she will be in any shape to go home with you. I truly apologize.” I couldn’t see him, but I knew his look and imagined the dark pits that replaced his eyes, those glaring coals looking back at the guiltless woman as he prepared to wage war against the poor nurse. The beeping on the heart monitor began to speed up with urgency. My heart started racing as though it was running in a triathlon. I could feel the tension and expected in my mind that there were nervous glances being passed between the medical staff as Mr. Stevenson continued his umbrage. “I’M. NOT. GOING. ANYWHERE. WITHOUT. MY. PROPERTY,” he continued. He spat the last word out with angered indifference, making sure there was no mistake about who or what I was to him. Then I heard a commotion—a grand disturbance before slipping into another medical-induced slumber. I could listen to armed guards barging into the room. Before knowing what happened next, I drifted back into a sleepy oblivion, completely unaware of what was coming.
THE AMULET'S CURSE: The Prologue Tears clung to the sides of her face. Like the sticky residue left by secreting slugs, each tear’s stream made a pathway down her cheek. Just moments before, before her melancholic state completely consumed her, she had stumbled on a way out. Before her feet sank into the rotting, fungal-veined bricks that laced the walls, she had concluded she would press on before giving in to her deepest fears. Layla descended with eager haste through a small hole in the ground. A single loose tooth, a wiggle and wrinkle in time, that dangled along the dungeon floor, that she had been thrown in. It had called out to her and beckoned to her ‘to take a chance’ and see where the black void would lead. It was almost as though forces beyond her control were pulling her in like a reel on a rod, and she was the fish. But who was doing the reeling? Or what? It was a foreboding path, an unknown pit in the depths of her parents’ castle. But after months of torture, after months of piercing heartache with nothing but time, the void that lingered in the pit of her stomach had become her tormentor. She had to get away. Too much time had passed that she had lost track of when she had lost him. The sluggish crawl of the clock dragged on without end in sight. Until the quagmire descended upon the wrinkle in the floor of her desolate dungeon cell, she was ready to give up hope of ever seeing him again. So, without much hesitation, she buried her keepsake, her journal-for what reason she knew not; she left it buried under a rotting brick, as though on autopilot. Then, like a shadow in the night, she crept through the hole and down the cylinder gate, the invisible stairway, the path she knew nothing about, yet dared to seek something that was unknown, so long as she was anywhere but the dungeon. Her bare feet touched the ground. A cold and wet liquid enveloped her feet, and thickened mud squeezed in between her toes. She pressed on in search of a way out-it was her only solace in her father’s hell. Then she ran. She ran and ran, knowing not where she was headed, only running as fast and as far as she could to get away from her cell. How long did she run? She knew not. She just knew she had to keep going, even if she dared to give up, she couldn’t. She had to keep putting one swollen foot in front of the other until- *************************************************** Hunger gnawed at her; it clawed at her insides; she hadn’t eaten in days. And the thirst was unrelenting. She needed something more than the drops of sweat that the earth protruded deep under the city streets. Mottled limestone walls soon replaced the timeworn facade of rod-grouted slabs of stone that had first met her feet upon plunging into the pits. The walls began crying along with her as she felt her way down the forgotten pathways of her father’s castle. Small streams of water trickled down, delicately weaving their fingers around curves of stone. Each drip fell into a crevice, crept through every nook imaginable. The water looked enticing. Layla considered the consequences if she were to quench her thirst. Yet again, she could get lucky. Then again… her thoughts betrayed her. What would it matter if I drink it and should die? Or if I go on living only to live in perpetual torment for the rest of my life? Either course is dire, though the first choice did seem a bit more forgiving. To die and be rid of this pain. Of the loss. Of the memory of him. Just as Layla decided to protrude her tongue into the refreshing drip of the water, she caught sight of something shiny. It sparkled underneath the water’s surface-an emblem of some sort. She worked it out of the muddy floor and cradled it in her hands. Memories of her beloved came piercing her. Letting the emblem slip through her fingers, she began to cry her first tears of the hour. “What was that?” she said aloud. Then the pain she’d been carrying came and crushed her body and soul. She began to languish in the darkness of the labyrinth. Quickly, she lunged into the mud to recover the shiny object-there was something alluring about it that made her have to have it. Immediately, her heart swelled with love for one man-Alanguard, upon picking it up. She dropped it again because with that love came an unquenchable pain and heartache. What is going on with this thing? Why is it making me feel this way? “I can’t do this anymore!” she screamed as quietly as she could. Picking up the small object made her recall her love, her undying love, but it also catapulted her right back to the pain of losing him again. It was a war, a battle of love and death that played with her heart. The strings of her heart were being played on multiple keys. The song didn’t sound right, though; it was solemn then jubilant, then melancholy, all in the same moment. Without thinking, or more, unconsciously and in a trance, she cradled the small object in the palm of her hand. Tears streamed down her face, filling every crevice with salty fluids. Overwhelmed with grief and without a care for her life, she began to vigorously rub at the object, as though doing so would leave her with one side of the emotional coin. So, she could be jubilant or grief-stricken, but not both. Both were unbearable. Either she could feel joy and continue living, or she could feel heartbroken and end it right there. Then, as though a force in nature had comprehended her mind’s trickery, Layla’s finger was cut, and a small gouge left a stream of blood to fill and mix with her tears, both directly in the center of the amulet. Then it was lights out, blackness consumed her, and she fell into unconsciousness as her body fell through a vortex.
Chapter One: Phantom Shadows A tormented scrape sheared across the jeep, a razor-sharp tear split through the side of the recon vehicle piercing the side like butter. The jeep jerked, causing my body to surge to the right; I was being thrust right through the vacant door! My harness dug deep into my body, bruising me. It’s all that sat between me and certain death. The field car lurched, tires shrieking as they skidded over broken pine needles and rotting leaves; moss and rot had us sliding out as if we were driving on black ice. I grabbed for the doorframe but missed, my shoulder slammed so hard that the breath was squeezed out of me like a squeezed lemon. I screamed for help, for anyone to grab me to keep from flying out of the jeep and straight into the claws of the monstrous beast that was chasing us. “Thatcher!” I screamed again. “Tod!” I screamed louder. “Anyone, help!” The jeep jerked to the right, wheels screeching. It almost had us–again. “Ahhhhh!” I continued to scream. “Help!” There were needle-backs and skulldraggers chasing us like raptors hunting prey. They were the result of an Amnosian experiment, that’s all I knew. Who they were or what they are went over my head. All I could see was a beast that was trying to get me. There was a needle-back that was moving in the thicket–a perfect Amnosian weapon. When it came out of the thicket, hunting us in a pack, I could see their long-bristled backs with pale spines, each one thin and straight, like a knitting needle; they grew from raw bone, yellowed and porous, still faintly veined. When they took breaths, their spines flexed. There were even some snapped needles that had broken off and regrew crooked, these looked like poorly healed fractures. It moved low to the ground, hunched and twitching, with an uneven step–it seemed like it moved as a half animal and half something else–something that struggled to remember how to walk. When threatened, which it clearly was not right now, the muscles along their spine contracted, lifting the needles in a rippling wave. When the needles moved, they sounded like raining glass. Up close, the horror deepened. “It’s right there, it’s right there! Someone help, it’s trying to take me!” The creature’s face was right in front of mine, its human-like claws and fingers were clawing at me. I looked into its face. It was twisted and missing something. It was all wrong–misaligned. Its eyes sat too forward, the jaw was unhinged wider than it should have been, and teeth crowded its mouth, showing irregular gums that looked as scarred as the jeep–as if they'd been torn and re-torn. When I looked at the creature’s hands that were scratching at me and the automobile, I noticed how there were limbs that looked like fingers with outstretched claws. That isn’t right. What are these things made from? I wondered as the jeep cut to the left, causing the harness to buckle again, strangling me in place. “Why are they attacking us!” I exclaimed. “It’s what they do,” said a voice behind me. It was calming–Tod. “Tod?” I called, surprised he hadn’t reached out earlier when I was screaming. “Anna, sit and hold on tight, this is a bumpy ride sweetheart,” “What is that thing, Tod?” I yelled over the loud engine that was screaming through the forest. The turbo whinced, leaving a whining engine; the driver clutched the gear, causing it to grind and stall out as branches and saplings cracked, like decaying bones. “Needle-backs don’t attack cleanly, they lash. They scrape. They graze skin and then retreat, letting the spines do the work. A single scratch is enough so Anna, stay as centered as possible. Whatever you do, DON’T ALLOW THAT THING TO TOUCH YOU!” The rig powered up again with a metallic rattle. Exhaust coughed and the tires screamed for traction but we were off, just before a group of needle-backs had fully ascended on us. “But why, Tod?” “Not now, Anna. Just hold on!” I reached for him, for something to help ground me in this horrible situation. “But, Tod, Why?” I repeated. “They’re made, Anna!” He yelled over the roaring engine. I gasped. I knew this already but, hearing it said point-blankly was another thing altogether. Our bickering continued, causing the driver to lash out, “Quiet her down Tod! She is distracting me!” The driver wore all black; her words were as cold as ice. The creature almost got us! Got me! Got Tod! What the hell is that thing made from? A stream of panicked questions filled the air around me. I’d known of these beasts my entire life but being this close to one what a whole other experience altogether. I could hear it breathing–deep, uneven pulls that rattled in my ears. I smelled it before I saw it: iron, decay, something burned so deeply into me that even now my body had become familiar with it. The ruins of the once great Stone Brooks and Olympia flashed past in fragments–collapsed towers, skeletal overpasses, warning signs half-swallowed by vines that pulsed faintly in the dark. Following the vast city were trees–giants with outstretched arms, and roots that thudded against the beat of the jeep. Towering Douglas firs hovered over us as we drove, a rain-dim green glow was in the horizon. Fog-threaded trunks and moss-sheathed bark rained a silhouette of power and strength as ferns blurred past like green knives. The headlights were smeared by mist and the taillights swallowed by rain. “Why can’t I get scratched by them, Tod?” I had to know. He hesitated, not wanting to reveal too much, then answered, “Anyone scratched or bitten by a needle-back who survives the initial infection may begin to change. First comes pain then sping–burning pressure, like something trying to punch its way out. Then the fevers. Needles begin to surface which breaks the skin in slow deliberate rows; if broken off then new ones grow back.” “That’s terrible.” “Enough story telling! Hold on tight!” The recon vehicle’s axles shrieked and the frame shuddered as bark scraped against the metal exterior. The subsonic growl of the needle-back was felt more than heard. The click-hiss of teeth and the sound of bone scraping earth could be heard all around us–we were surrounded. Just then we hit a puddle of mud, causing the jeep to hydroplane just as a needle-back lunged towards us. Another needle-back rammed into it just before it could reach the automobile, but a third had taken its place. The impact of the creature’s grasp had snapped me forward, pain flashed white behind my eyes. The beast howled–not rage, not hunger, but something frantic and broken. Another answered. Then another. The sound multiplied until the ruins were alive with it, until the forest itself seemed to hunt us. I tried to scream but nothing came out. My chest locked, breath stuttered uselessly as the weight of the creature bent the frame of the jeep. Someone shouted. Maybe Tod, maybe the driver, I couldn’t be certain. The sound dissolved beneath the scream of tearing metal. “Ahhhh,” cried a voice again. Tod! I thought. I was sure the creature had just gotten Tod. “Carl!” Tod yelled. It was Carl, not Tod–thank God! But it was too late, the creature had gotten a claw in Carl and had yanked him clear off the utility vehicle. I could see the army of needle-backs ascend on poor Carl as we drove away. ************************************************************************************* Rain drummed overhead, steady and cold. It struck broad leaves that stretched far wider than nature ever intended. For a heartbeat, I wasn’t sure where I was. My heart hammered as if it hadn’t realized the chase was over, my hands clawed at the air, searching for torn metal, for blood, for the edge of the door that wasn’t there…for Carl, for Tod, for anyone tangible. But there wasn’t anything. My heart began to beat faster. Where am I? I looked around but couldn’t find anything grounding. Then, I heard his voice. “Anna?” His voice cut through the panic instantly. “Anna, sweetheart? Are you ok? It was a bad dream, hun, a bad dream is all.” I turned my head and saw Tod crouched beside me on the platform, rain-dark hair plastered to his forehead. One hand braced against the wooden planks, the other hovering near my arm–close enough to anchor me, careful enough not to trap me. “You’re in the Web,” he said quietly. “You’re safe now, you’re here with me, Anna dear.” I was intoxicated with sleep and exhaustion. “Tod?” I gripped his hand, clenching it tight, still feeling the sudden jerks and movements of the jeep. I forced myself to breathe, in slow, measured pulls, and matched the rhythm Tod always used when he talked me down. Above us, the canopy of the Dead Zone rose in layered shadows–Douglas firs twisted into the mist, their branches twisted together with rope bridges and scavenged cable. The Web creaked softly as it shifted with the wind, like something sleeping uneasily. “You’re ok, Anna. Breathe.” Tod said in a calm and comforting voice. “I’m here. We’re here together, sweetheart.” I eased into recognition, the fog of slumber still on the forefront of my mind. “You’re in the Web,” Tod continued. “I know,” I finally offered, taking his outstretched hand gently in mine. “Tod?” “Yes, sweetheart?” “I could hear them,” I said, my voice thin. “I thought they had you.” My voice began to crack. Tod scooped me into his arms and held me in a warm embrace. The rain continued to drum around us, falling on the roof of the hut I was sleeping in. It reminded me of mine and Thatcher’s secret garden back in Cryptonia. I dreamed of the day I could find a permanent home where the only thing I could hear was my own heart–and maybe, if I was lucky, the sound of the wind through leaves that weren’t gray with expectation and danger. “Them?” Tod asked. “Yes, them. The Skulldraggers. It was so real, Tod.” I said, still in a sleep-dazed state. “They didn’t get us, remember? We got away. They took Carl, not me, sweet Anna. You and I are safe, for now.” I buried my face into his strong chest, “I remember. I’m awake now.” I finally said. "I sat up, blinking as a million tiny shadows performed a silent, frantic dance across the wooden walls. The sunlit gold didn't just enter; it reclaimed the space, peeking through the cracked window-panes to reach the furthest, dust-moted nooks of the hut’s skeletal frame. Those amber rays stretched like warm fingers, illuminating the succulent plumpness of the vines that clung to the beams, turning the humble sanctuary into a cathedral of light and timber. Outside, a faint aroma of flowers filled the air, offering respite from the pollution of Cryptonia. A gentle rustling of leaves could be heard just beyond the hut’s entrance, creating a rhythm and hum in the canopy above my platform. My hut was a living heart tucked into the bones and veins of the highest reaches of the trees, far out of reach from the prehistoric predators and mutations that governed the forest floor below. Tod’s honey-brown eyes flicked instinctively to the surrounding branches outside my hut. He went out to check once more–he’d done a perimeter sweep every hour on the hour since Anna’s nightmares began a few weeks ago, when they’d first arrived at the Web. He wanted everything to be fine and for me to know that I was safe. The weeks under Bill’s thumb had hollowed me out until I was nothing but a shell of survival; I had reached a point where the prospect of death was a mercy compared to the suffocating walls of his confinement. I was a psychological wreck, a jagged mosaic of nerves and terror. Even in sleep, there was no sanctuary. Nightmares clawed at me—visions of the clinical, soul-stripping halls of the fertility school blurred into the frantic, leaf-slashed memories of our escape. I would wake drenched in sweat, still feeling the weight of the forest pressing against my skin and the phantom shadows of the bunker chasing us all the way to the skeletal heights of the Web. Tod returned, “The perimeter is quiet Anna. No movement. You’re safe dear, you’re safe.” “How long have we been here?” I asked, sleep still blurring the timeline. “A few weeks. Are you sure you’re alright, Anna?” He looked at me sympathetically. “I can get you a drink or something to eat. We don’t have to go to the buzz of the dining hall if you don’t want to.” I looked at him and smiled. “I have everything I need right here,” I pointed at him and motioned for him to come over. “Sit.” Tod strolled over, his towering, commanding presence, a pillar of strength, his broad-shouldered, lean-muscled, imposing silhouette a masterpiece of design and creativity. His chiseled jawline and sharp-angled features were etched with quiet determination; his eyes looked like smoldering honey with how the light danced across his face. I couldn’t help but take all of him in as he moved gracefully towards me. His sun-bronzed skin and crooked smirk told me everything. At that moment, he looked like a god of the old world, a radiant sunbeam trapped inside a cage of ash and iron. He sat down next to me, his warmth radiating through the thin layers of my worn clothes. Inside, butterflies didn't just flutter, they screamed and clawed, battering against my ribs as if trying to break free from the cage of my chest. I gripped the edge of the furs, my knuckles white, fighting to contain the sheer magnetism of his presence. When he turned to me, I was forced to meet his gaze. He looked into my eyes—those grayish-brown mirrors I had always found dull and unremarkable. But in the reflection of his smoldering honey pupils, I saw a stranger. I saw a girl with a curtain of chestnut hair that spilled all the way to her waist like a waterfall of silk against the rough timber of the hut. I saw the shy curve of a mouth that had forgotten how to smile, and the pale, high-arched brow of someone who had spent her life looking for exits. For the first time, I didn't see an "Ashen Daughter" or a piece of Amnosian property. I saw a girl who was soft despite the jagged world around her, a girl who—for all her scars and nightmares—was still undeniably, breathtakingly alive. I was a fractured puzzle of fear and longing, and as he reached out, I realized I was no longer just surviving; I was finally being seen. “Come, Anna. Let’s go and get some breakfast. We have big adventures ahead of us.” “Like what?” I asked, intrigued by his vagueness. “You will see, let’s just go and put some food in your belly first.” “Ok, Tod.” I said, as I leaned in towards him and planted a light kiss on his right cheek. Even as I anchored myself in the solid, sun-warmed reality of Tod, Thatcher remained a haunting silhouette on the horizon of my mind. My heart felt like a territory divided, a map torn between two warring loyalties, and the love I carried for both men was a weight that threatened to pull me under. Being with Tod was an iridescent reprieve—something beyond special, a stolen breath of life—but the guilt followed me like a shadow in the ash. What would Thatcher see if he looked at me now? Would he recognize the girl he’d protected, or would he see only betrayal etched into the way I leaned into Tod’s strength? The questions gnawed at me, sharp and relentless as the drones that circled Cryptonia. Had I truly exercised my own will for the first time, or was I merely drifting toward the nearest harbor? I felt a bone-deep certainty when I was in Tod’s arms, a resonance that shivered through my soul, yet a jagged doubt remained: how could I ever be sure of my choice while Thatcher’s ghost still held the other half of my heart? It sounded absurd, a relic of a world that no longer existed, but I needed his blessing. I needed to see his face, to face the man who had been my North Star, before I could fully commit to this new, golden sun. Until then, my heart was a house divided, waiting for a permission I wasn't even sure I had the right to ask for.


Teacher Support
Katrina also offers free resources for teachers looking to incorporate her writings into their curricula, enhancing the literary experience.
Teacher’s Corner (Example from Cryptonia: First Born Ashen Daughters) Chapter One Teacher’s Corner Chapter One Study Guide Packet Text: Prologue and Chapter One (from your novel) Part I: SAT Vocabulary Directions: Review each word, its definition, and consider how it functions in context within the chapter. Inkling – a slight suspicion or vague idea. Unpliable – rigid; not easily bent or influenced. Dissonant – harsh or jarring in sound or tone; lacking harmony. Quagmire – a difficult, dangerous, or entrapping situation. Abyss – a deep or seemingly bottomless chasm; a metaphor for despair. Unrelenting – not yielding or giving way; persistent. Counterfeit – made in imitation with intent to deceive; not genuine. Demoralized – having lost confidence, hope, or spirit. Dispirited – discouraged; lacking enthusiasm or hope. Umbrage – offense or annoyance. Belittling – making someone feel small or insignificant. Blatant – done openly and unashamedly. Indifference – lack of interest, concern, or sympathy. Ecstatic – feeling overwhelming happiness or excitement. Inevitable – certain to happen; unavoidable. Part II: Essay / Discussion Questions (Answer 4) Control and Dehumanization: How does the repeated use of the word “property” shape the reader’s understanding of power, ownership, and identity in this society? What does it reveal about the world of Cryptopia? Inner vs. Outer Conflict: Analyze how Annmarie’s internal struggles (fear, guilt, resentment, longing) contrast with the external structures controlling her life. Which do you think is more damaging, and why? Family and Worth: Discuss how Annmarie’s relationship with her parents and her sister Stella affects her sense of self-worth. How does favoritism function as a form of emotional oppression? Foreshadowing and Fear: In what ways does the Prologue foreshadow Annmarie’s future? How does the author build tension and dread before the reader even understands the full system at work? Part III: Comprehension Questions Directions: Answer in complete sentences, using evidence from the text. What major themes are introduced in the Prologue and Chapter One (such as control, identity, freedom, or gender oppression)? Provide at least one example from the text. How does the theme of loss of autonomy develop through Annmarie’s thoughts about her future and her status as a first-born daughter? Identify two metaphors used in the Prologue to describe Annmarie’s mental or emotional state. What do these metaphors suggest about her trauma? How does repetition (such as “in and out” or the repeated reference to “property”) enhance the meaning and emotional impact of the scene? Describe the tone of the Prologue. Which specific word choices contribute to this tone? How does the mood shift between the Prologue and Chapter One? What changes, and what feelings remain consistent? What do Annmarie’s thoughts about Stella reveal about her personality and moral complexity? How is Thatcher characterized through his dialogue and actions? What role does he play in Annmarie’s life? Why is Annmarie’s upcoming seventeenth birthday so significant? What does it symbolize within the story? Based on the opening chapters, what expectations does the author set for the rest of the novel? Consider conflict, stakes, and character growth. Optional Extension Activity Write a short paragraph explaining how the Prologue changes your interpretation of Chapter One. How does starting with trauma influence your understanding of Annmarie as a narrator? Study Guide Packet Text: Chapter Two: Chemical Gas (from your novel) Part I: SAT Vocabulary Directions: Review each word, its definition, and consider how it functions in context within the chapter. Desolate – deserted, empty, and bleak. Exuberance – lively energy, joy, or enthusiasm. Vacant – empty; not filled. Pestilence – a fatal epidemic disease. Sanction – official permission or approval; sometimes a penalty. Conniving – scheming or plotting, often in a deceitful way. Parasitic – living at the expense of another; exploitative. Perpetual – never-ending or continuous. Carnage – widespread and indiscriminate destruction or slaughter. Provisions – supplies or materials needed, especially for survival. Inefficiencies – the state of being ineffective or not working optimally. Obtrusive – noticeable in an unwelcome or intrusive way. Malicious – having the intention to harm or cause suffering. Subconscious – occurring in the mind without conscious awareness. Undisclosed – not revealed or made known. Part II: Essay / Discussion Questions (Answer 4) Human Nature Under Crisis: How does the author explore the effects of fear and survival instinct on human behavior? Provide examples from the chemical gas outbreak. Power and Inequality: Compare and contrast the experiences of doomsday preppers and the wealthy who purchased underground survival. How does this illustrate social inequalities during crises? Technology and Disaster: Discuss how the failure or misuse of technology (ventilation systems, cures, and vaccines) contributes to the catastrophe. How does the author use this to comment on human reliance on technology? Environmental and Societal Collapse: How does the imagery of Stone Brooks' destruction help establish the novel’s dystopian tone? How do descriptions of the city’s ruins contribute to the reader’s understanding of the story’s themes? Part III: Comprehension Questions Directions: Answer in complete sentences, using evidence from the text. What themes of survival, human error, and greed are present in Chapter Two? Provide at least one textual example. How does the author illustrate the consequences of fear and panic on society? How do these consequences manifest in the survivors’ actions? Identify two examples of imagery used to describe the destruction of Stone Brooks and the chemical outbreak. How do they enhance the narrative? How does the author use repetition or parallel structure (e.g., “Before the last battle call…”) to emphasize the scale of destruction and chaos? What is the tone of Chapter Two, and which phrases or words contribute most to it? How does the mood shift when the text transitions from general destruction to the detailed descriptions of doomsday preppers and the wealthy? What does this shift suggest? Based on the chapter, how would you describe the survivors, both doomsday preppers and the wealthy? What qualities distinguish these groups? What does the depiction of the chemical gas and human responses reveal about human vulnerability and adaptability? Why is the chemical gas and its aftermath central to understanding the setting and stakes of the novel? How does Chapter Two build upon the previous chapters to establish the larger context for Annmarie’s story and the dystopian world she inhabits? Optional Extension Activity Write a short paragraph comparing the societal collapse in Chapter Two to a historical or fictional catastrophe you are familiar with. How do human behaviors in the face of disaster mirror or differ from those in the novel?